valve or slide - your preference
Posted: Tue May 02, 2023 2:51 pm
does anyone play both valve trombone and slide? or have you switched from one to the other? (I suppose baritone and euphonium fit in this discussion as well)...
This is the key point, I think. There are very few well-designed, decent quality valve trombones on the market at all, and certainly none in wide circulation. Obviously since many of us play valved instruments, we're aware there are configurations of valves that can work very well - it's just that modern manufacturers haven't bothered to iterate and develop a good valve trombone.Pezza wrote: Wed May 03, 2023 1:27 amCan't stand valve troms. All that I have played have been awful and others that have played on 1 in the band couldn't blend!
Valve trombone use in professional orchestral playing lasted for around 100 years in Italy, but elsewhere it either was much shorter or didn't catch on at all. It was rarely up to the composer whether they used valves or slides but a question of what the practice was in any particular place (so Brahms wrote for slide trombones, until he moved to Vienna where they were using valves). Vienna switched back to slides about 15 years before Mahler got the music director job there so he wasn't "the first" to move back to slides. Valves were the norm in Italy by around 1840, until well into the 20th century, so indeed most of Verdi (and all of Puccini) would have been written with valve trombones in mind, although not Rossini as is sometimes presumed. Also Dvorak and much if not all of Bruckner was probably on valves. On the other hand, for Wagner I don't see any reason to think slides weren't the norm.ATXBassBone wrote: Tue May 02, 2023 10:07 pm Valve trombones were the rage for nearly 100 years. Mahler was the first to have his ensembles go back to the slide trombone after many decades playing valves. Verdi was entirely valves. Wagner was also more than likely valves.
I would really love to be in a section that had a great set of valve trombones! But it's not as common even if they get a more accurate sound on some rep.
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I do not think that it is possible to build a good sounding valve trombone. The sound spectrum of a "trumpet one octave lower" does not work. This may be the reason that low brass is built like flugelhorns, conical... This gives a warm and full sound. When you play forte on a valve trombone or french horn you will notice a very unpleasant sound. That is the true reason horn players have the hand inside the bell. It just don´t sound good played open and mezzoforte..spencercarran wrote: Wed May 03, 2023 10:10 pmThis is the key point, I think. There are very few well-designed, decent quality valve trombones on the market at all, and certainly none in wide circulation. Obviously since many of us play valved instruments, we're aware there are configurations of valves that can work very well - it's just that modern manufacturers haven't bothered to iterate and develop a good valve trombone.Pezza wrote: Wed May 03, 2023 1:27 amCan't stand valve troms. All that I have played have been awful and others that have played on 1 in the band couldn't blend!
That doesn't really make sense. Trumpets used to be pitched an octave lower (natural trumpets are twice as long). Horns also used to be played without the hand. The hand in the bell became common because it allowed to control intonation and hand stopping lets you play notes outside of the harmonic series.Trombonic wrote: Thu May 04, 2023 1:02 amI do not think that it is possible to build a good sounding valve trombone. The sound spectrum of a "trumpet one octave lower" does not work. This may be the reason that low brass is built like flugelhorns, conical... This gives a warm and full sound. When you play forte on a valve trombone or french horn you will notice a very unpleasant sound. That is the true reason horn players have the hand inside the bell. It just don´t sound good played open and mezzoforte..spencercarran wrote: Wed May 03, 2023 10:10 pm
This is the key point, I think. There are very few well-designed, decent quality valve trombones on the market at all, and certainly none in wide circulation. Obviously since many of us play valved instruments, we're aware there are configurations of valves that can work very well - it's just that modern manufacturers haven't bothered to iterate and develop a good valve trombone.
Let me disprove all of this gobbledegook right now.Trombonic wrote: Thu May 04, 2023 1:02 am
I do not think that it is possible to build a good sounding valve trombone. The sound spectrum of a "trumpet one octave lower" does not work. This may be the reason that low brass is built like flugelhorns, conical... This gives a warm and full sound. When you play forte on a valve trombone or french horn you will notice a very unpleasant sound. That is the true reason horn players have the hand inside the bell. It just don´t sound good played open and mezzoforte..
Baritone horns and cimbassos (cimbassi?) exist. The latter is just a valve contrabass trombone, and sounds fine when you get one that's well-built with a properly designed valve section.Trombonic wrote: Thu May 04, 2023 1:02 amI do not think that it is possible to build a good sounding valve trombone. The sound spectrum of a "trumpet one octave lower" does not work. This may be the reason that low brass is built like flugelhorns, conical... This gives a warm and full sound. When you play forte on a valve trombone or french horn you will notice a very unpleasant sound. That is the true reason horn players have the hand inside the bell. It just don´t sound good played open and mezzoforte..spencercarran wrote: Wed May 03, 2023 10:10 pm
This is the key point, I think. There are very few well-designed, decent quality valve trombones on the market at all, and certainly none in wide circulation. Obviously since many of us play valved instruments, we're aware there are configurations of valves that can work very well - it's just that modern manufacturers haven't bothered to iterate and develop a good valve trombone.
Although they don't come with rings or saddles on the 1st and 3rd valves, they can be upgraded.BGuttman wrote: Thu May 04, 2023 11:28 am One thing I see trumpet players doing that valve trombones are incapable of is to adjust the 1st and 3rd valve tuning slides to compensate intonation. This is done generally by better players; too many Community Banders don't even pull the slides at all.
If the valve trombones came with rings or saddles on the 1st and 3rd valves the valve trombone might be a better fit.
Thanks for the feedback and wonderful sounds.CharlieB wrote: Tue May 02, 2023 4:25 pm valve or slide - your preference
I play both.
It's all about the sound.
Thanks for the knowledgeable reply.ATXBassBone wrote: Tue May 02, 2023 10:07 pm Valve trombones were the rage for nearly 100 years. Mahler was the first to have his ensembles go back to the slide trombone after many decades playing valves. Verdi was entirely valves. Wagner was also more than likely valves.
I would really love to be in a section that had a great set of valve trombones! But it's not as common even if they get a more accurate sound on some rep.
.
Thanks for your thoughts on this.Digidog wrote: Tue May 02, 2023 11:51 pm I'm not too keen on the valve trombone sound, though I like the feeling of playing valved instruments - ironically.
I think valve trombones have a slightly nasal and stuffed tone, which I'm just not into. I looove the open range and the precision of pitch on my slide trombone.
On horns, I think that "squeezed" sound works very well, so maybe it's only prejudice, maybe it's the size and the construction of the trombone that to my ears doesn't do well with valves.
Thanks.Trombonic wrote: Wed May 03, 2023 12:14 am I also play trumpet, euphonium and tuba. I would never play (or even try) a valve trombone...I do not like the sound...Brookmeyer sounds fine but only when playing not too loud..
Thanks for your thoughts.Pezza wrote: Wed May 03, 2023 1:27 am I play tenor trom, bass trom & eupho. Much prefer the eupho.
Can't stand valve troms. All that I have played have been awful and others that have played on 1 in the band couldn't blend!
If you want to play trombone learn the slide!
Few, if any, decent bands would accept an alto trom on horn parts, or soprano trom on cornet parts! You would need to learn the instrument. So why is it acceptable to throw a valve player on a valve trom?
gotchahyperbolica wrote: Wed May 03, 2023 6:03 am I play both. I prefer slides for 2 reasons - intonation and slide effects. When I use valves, I do it for a couple of reasons - compact size and minimal motion. Flugabone is my main valve instrument.
Ozzlefinch wrote: Wed May 03, 2023 6:00 pm I play slide and 4-valve trombones because I like making myself suffer.
spencercarran wrote: Wed May 03, 2023 10:10 pmThis is the key point, I think. There are very few well-designed, decent quality valve trombones on the market at all, and certainly none in wide circulation. Obviously since many of us play valved instruments, we're aware there are configurations of valves that can work very well - it's just that modern manufacturers haven't bothered to iterate and develop a good valve trombone.Pezza wrote: Wed May 03, 2023 1:27 amCan't stand valve troms. All that I have played have been awful and others that have played on 1 in the band couldn't blend!
Thank you
excellent pointsBGuttman wrote: Thu May 04, 2023 11:28 am One thing I see trumpet players doing that valve trombones are incapable of is to adjust the 1st and 3rd valve tuning slides to compensate intonation. This is done generally by better players; too many Community Banders don't even pull the slides at all.
If the valve trombones came with rings or saddles on the 1st and 3rd valves the valve trombone might be a better fit.
niceTrombo wrote: Fri May 05, 2023 8:18 am I like the sound of Raul de Souza's valve trombone. I know he used a large bore valve trombone in C.
Why don't manufacturers make such large bore valve trombones instead of stuffy small bore valve trombones?