Bruckner - Sergiu Celibidache, Münchner Philharmoniker
- Savio
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Bruckner - Sergiu Celibidache, Münchner Philharmoniker
https://www.youtube.com/watch?v=CgXBp-oEIR0&t=280s
https://www.youtube.com/watch?v=2X2bbusaOzI&t=934s
I have been listening a lot to this conductor today. And that wonderful orchestra. Never heard much about them but it sounds great. Muncher Philharmoniker.
Anybody knows more about both the conductor and the orchestra? Interesting they blend the regular trumpet with the flat one. And what a great horn section?
The choral in the end of the 5th symphony start with a high F in the bass trombone....goes to Bb and then chromatic down to the low Bb. Amazing...
Anyway it sounds amazing, listen all links to end. Its amazing
Leif
(should be a section here just called music?)
https://www.youtube.com/watch?v=2X2bbusaOzI&t=934s
I have been listening a lot to this conductor today. And that wonderful orchestra. Never heard much about them but it sounds great. Muncher Philharmoniker.
Anybody knows more about both the conductor and the orchestra? Interesting they blend the regular trumpet with the flat one. And what a great horn section?
The choral in the end of the 5th symphony start with a high F in the bass trombone....goes to Bb and then chromatic down to the low Bb. Amazing...
Anyway it sounds amazing, listen all links to end. Its amazing
Leif
(should be a section here just called music?)
Last edited by Savio on Thu Aug 29, 2019 6:26 pm, edited 1 time in total.
- LeTromboniste
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Re: Bruckner - Sergiu Celibidache, Münchner Philharmoniker
I'm sure lots of nice things can be said about his musical ideas and interpretations. We can also say he was an egomaniacal and tyrannical leader, and one with a particular history of despicable sexism. He's the one who, when Abbie Conant won the principal trombone job, insisted that a woman could not be a professional trombonist, and certainly not a principal, and certainly shouldn't get paid as much as a man...
Last edited by LeTromboniste on Fri Aug 30, 2019 9:04 am, edited 1 time in total.
Maximilien Brisson
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Lecturer for baroque trombone,
Hfk Bremen/University of the Arts Bremen
www.maximilienbrisson.com
Lecturer for baroque trombone,
Hfk Bremen/University of the Arts Bremen
- Savio
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Re: Bruckner - Sergiu Celibidache, Münchner Philharmoniker
I didn't know that. So many great leaders get it wrong inside their head and do so much wrong things? No excuse for that. Then I listen it different.....LeTromboniste wrote: ↑Thu Aug 29, 2019 6:24 pm I'm sure lots of nice things can be said about his musical ideas and interpretations. We can also say he was an egomaniacal and tyrannical leader, and one with a particular history of despicable sexism. He's the one who, when Abby Conant won the principal trombone job, insisted that a woman could not be a professional trombonist, and certainly not a principal, and certainly shouldn't get paid as much as a man...
- BGuttman
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Re: Bruckner - Sergiu Celibidache, Münchner Philharmoniker
One's artistry and one's personality don't necessarily affect one another. Some of the greatest artists were jerks and egotists. Some of the nicest people couldn't draw a straight line using a ruler.
If you like the sound he gets, enjoy that. Be thankful you don't have to play for him.
If you like the sound he gets, enjoy that. Be thankful you don't have to play for him.
Bruce Guttman
Merrimack Valley Philharmonic Orchestra
"Almost Professional"
Merrimack Valley Philharmonic Orchestra
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- paulyg
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Re: Bruckner - Sergiu Celibidache, Münchner Philharmoniker
The saga is recounted here: http://www.osborne-conant.org/ladies.htm
If that orchestra sounds like "a ladies orchestra," then any orchestra should be so lucky...
Personally I think Celibidache was mostly insecure about his bass-like countenance.
If that orchestra sounds like "a ladies orchestra," then any orchestra should be so lucky...
Personally I think Celibidache was mostly insecure about his bass-like countenance.
Paul Gilles
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Re: Bruckner - Sergiu Celibidache, Münchner Philharmoniker
“We can also say he was an egomaniacal and tyrannical leader, and one with a particular history of despicable sexism.”
He speaks highly of you.
He speaks highly of you.
- LeTromboniste
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Re: Bruckner - Sergiu Celibidache, Münchner Philharmoniker
This is an entirely reasonable way to think of course.BGuttman wrote: ↑Thu Aug 29, 2019 7:12 pm One's artistry and one's personality don't necessarily affect one another. Some of the greatest artists were jerks and egotists. Some of the nicest people couldn't draw a straight line using a ruler.
If you like the sound he gets, enjoy that. Be thankful you don't have to play for him.
I tend to think that artistic expression IS the expression of the artists personality and that it can't be completely disassociated from it, and I personally find it difficult in particular with abusive conductors when the sound we hear is produced by the very victims of their abuse.
Maximilien Brisson
www.maximilienbrisson.com
Lecturer for baroque trombone,
Hfk Bremen/University of the Arts Bremen
www.maximilienbrisson.com
Lecturer for baroque trombone,
Hfk Bremen/University of the Arts Bremen
- LeTromboniste
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Re: Bruckner - Sergiu Celibidache, Münchner Philharmoniker
How edifying...
Maximilien Brisson
www.maximilienbrisson.com
Lecturer for baroque trombone,
Hfk Bremen/University of the Arts Bremen
www.maximilienbrisson.com
Lecturer for baroque trombone,
Hfk Bremen/University of the Arts Bremen
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Re: Bruckner - Sergiu Celibidache, Münchner Philharmoniker
Sergiu Celibidache was the head counductor with the Swedish Radio Orchestra 1963 - 1971, he made wonder with the orchestra, I was lucky enough to sub with the orchestra many times, I have enormus respect for Sergiu, he did a fantastic job.
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Re: Bruckner - Sergiu Celibidache, Münchner Philharmoniker
So we only listen to Celibidache pre the Conant spat ? How about Fritz Reiner and Chicago.... he was a nasty man.... we had better dump Wagner totally... he was dreadful.... there have been a lot of deeply unpleasant people in the performing arts... how on earth do we know where to draw the line ? Or should we draw it at all ?
Chris
Chris
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Re: Bruckner - Sergiu Celibidache, Münchner Philharmoniker
I think we each draw lines for ourselves, and that's okay. I'm not saying we shouldn't listen to Celibidache recordings by the way. It's not morally wrong to listen to Celibidache or to enjoy listening to or performing Wagner, or Gesualdo who murdered his wife and her lover, or Rosenmuller who wrote some of the best trombone music ever but was also accused of being a bit too close to some of the young men and/or boys he was teaching to...I'm not suggesting we burn them off from history, but I think knowing about the more troubling elements of great artists' lives or personality has the power to affect our perception and understanding of their work, and perhaps even more so with conductors who were abusive or tyrannical with the orchestra members because of the more direct relationship between the abuse and the music we hear.FOSSIL wrote: ↑Fri Aug 30, 2019 5:30 pm So we only listen to Celibidache pre the Conant spat ? How about Fritz Reiner and Chicago.... he was a nasty man.... we had better dump Wagner totally... he was dreadful.... there have been a lot of deeply unpleasant people in the performing arts... how on earth do we know where to draw the line ? Or should we draw it at all ?
Chris
Maximilien Brisson
www.maximilienbrisson.com
Lecturer for baroque trombone,
Hfk Bremen/University of the Arts Bremen
www.maximilienbrisson.com
Lecturer for baroque trombone,
Hfk Bremen/University of the Arts Bremen
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Re: Bruckner - Sergiu Celibidache, Münchner Philharmoniker
Don't get me started on Rostropovich !
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Re: Bruckner - Sergiu Celibidache, Münchner Philharmoniker
Yup. Couldn't have said it better myself. Of course, there is a difference between patronizing/listening/paying for their products, and actually being there.LeTromboniste wrote: ↑Fri Aug 30, 2019 6:08 pm
I think we each draw lines for ourselves, and that's okay.
Something that stood out to me when I read through Abbie Conant's recounting of these events was that in one case, she was put on the spot and ordered to play assistant on a concert she was not scheduled to play (an attempt to elicit a bad performance, no doubt). Eric Terwilliger, solo horn and prior victim of a careless dentist, casually stood up for Mrs. Conant- simply saying "you shouldn't do it, none of us have to."
It's unfortunate that many of us will encounter situations similar to that which faced Mrs. Conant. We could find ourselves as the objects of unfair or harassing behavior, but it's more likely that we will observe it happening. In these cases it's our choice to stand up for our abused colleagues, or to remain silent. Mrs. Conant undoubtedly had the support of many of her colleagues in the Philharmonic through her years of abuse, and they share the joy of her ultimate victory over that injustice.
I still listen to James Levine recordings. I am partial to Celibidache's recordings of Bruckner. I enjoy Rostropovich's Cello Suites. I hope, though, that if I had been in a position to stand up to any of them, in any way, that I would have done it- even at the cost of fading into obscurity, just like the people who undoubtedly stood up to them and others like them, have.
Paul Gilles
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Re: Bruckner - Sergiu Celibidache, Münchner Philharmoniker
Von Karajan/B Philharmoniker? A Nazi conducting Wagner. One might overlook a bit of sexism.
- MoominDave
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Re: Bruckner - Sergiu Celibidache, Münchner Philharmoniker
We listen to the music and we note the evil.
Seems to me this thread has got the balance exactly right.
Seems to me this thread has got the balance exactly right.
Dave Taylor
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(not to be confused with other Dave Taylors...)
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Re: Bruckner - Sergiu Celibidache, Münchner Philharmoniker
The joke is that there are white male musicians who are treated far worse but do not get support because they are part of the advantaged sector.
Chris
Chris
- BGuttman
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Re: Bruckner - Sergiu Celibidache, Münchner Philharmoniker
From what I've heard, Toscanini was an equal opportunity abuser -- he insulted/bullied/cowed ALL of his musicians. But he got some amazing performances out of them. I personally would hate to try to play for such a conductor.
Bruce Guttman
Merrimack Valley Philharmonic Orchestra
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Re: Bruckner - Sergiu Celibidache, Münchner Philharmoniker
In the USA, many black bands were simply not paid after the gig. Basie had a promoter pull a gun on him. Black bands could not sleep in hotels uptown. Even now, there is a belief that black musicians lack the sophistication to play classical music. Music is made by people and people have issues.
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Re: Bruckner - Sergiu Celibidache, Münchner Philharmoniker
Heh. Checking out the first video, and I'm amused how the conductor basically stops conducting and I would have stopped playing there because it looks like he actually gives a cutoff. Apparently, the orchestra was used to those signals and knew to keep going. And at 5:12 there's a pretty funny "thank you for coming in" cue a couple of seconds after the cellos begin their line.
“All musicians are subconsciously mathematicians.”
- Thelonious Monk
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Re: Bruckner - Sergiu Celibidache, Münchner Philharmoniker
Checking out the second video - geez, maybe it's my relative lack of symphonic orchestra experience or just that I've played for conductors with vastly different styles, but I'd find that conductor extremely hard to follow. Just the way he sometimes stops his motion before a downbeat instead of maintaining some kind of deceleration/acceleration in his motions - that just looks stressful.
And - yeah, that orchestra is fantastic.
And - yeah, that orchestra is fantastic.
“All musicians are subconsciously mathematicians.”
- Thelonious Monk
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Re: Bruckner - Sergiu Celibidache, Münchner Philharmoniker
The running joke in most orchestras is don’t watch the conductor.AndrewMeronek wrote: ↑Sat Aug 31, 2019 8:13 am Checking out the second video - geez, maybe it's my relative lack of symphonic orchestra experience or just that I've played for conductors with vastly different styles, but I'd find that conductor extremely hard to follow. Just the way he sometimes stops his motion before a downbeat instead of maintaining some kind of deceleration/acceleration in his motions - that just looks stressful.
And - yeah, that orchestra is fantastic.
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Re: Bruckner - Sergiu Celibidache, Münchner Philharmoniker
I know. Maybe I've been lucky and have played for conductors who are in general very competent and easy to follow.
With a conductor like Celibidache, I'd probably do a whole of paying attention to the principal violin or whoever else actually has control of tempos and rubatos, depending on the music. Well, I'd do that anyway - but usually conductors are more clear about showing predictions farther ahead in time, so there are times when I definitely would want to watch them. Not so sure about this guy.
“All musicians are subconsciously mathematicians.”
- Thelonious Monk
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Re: Bruckner - Sergiu Celibidache, Münchner Philharmoniker
For me, one big difference has been score study. Prior to playing in orchestras, I didn’t do score study. Score study makes the ensemble seem smaller to me. I feel like I don’t need as much help from the guy on the podium.AndrewMeronek wrote: ↑Sat Aug 31, 2019 8:42 amI know. Maybe I've been lucky and have played for conductors who are in general very competent and easy to follow.
With a conductor like Celibidache, I'd probably do a whole of paying attention to the principal violin or whoever else actually has control of tempos and rubatos, depending on the music. Well, I'd do that anyway - but usually conductors are more clear about showing predictions farther ahead in time, so there are times when I definitely would want to watch them. Not so sure about this guy.
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Re: Bruckner - Sergiu Celibidache, Münchner Philharmoniker
It’s so much easier now, it seems. You can go on YouTube and watch a performance and follow along in your part. You can compare performances. You can play along. You can download the music and slow it down. There’s so much more you can do now then when I was a young pup back in the day.
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Re: Bruckner - Sergiu Celibidache, Münchner Philharmoniker
Greg Cox told a story of how when he was young, he and his friends would play along with records.