New Big Trombone Day: Shires Q39GR contrabass trombone

Post Reply
User avatar
Finetales
Posts: 1490
Joined: Fri Mar 23, 2018 12:31 pm

New Big Trombone Day: Shires Q39GR contrabass trombone

Post by Finetales »

Well, I've finally joined the dark side.

Image

I just took delivery of my new Shires Q39GR contrabass trombone (F/C/Db), and as I don't remember seeing much of any discussion about it on Trombone Chat, I figured it was a good idea to start a thread about it. I thiiiiiink this is the first privately-owned Shires contra in LA, and while there are a few out in the world already there definitely aren't many. (It is a contra, after all.)

Before buying one for myself, I managed to try five different examples of the instrument in different places. Three were in German tuning (Q38) and two were in American tuning (Q39). The first was a pre-production Q38 at ITF 2025, followed by one in each tuning at this year's NAMM, and two more (again, one in each tuning) at the Bob Reeves shop up in Santa Clarita, CA. While the ITF and NAMM instruments were obviously demoed in a loud exhibit hall environment, the two at Bob Reeves were played in an isolated room by myself. Suffice it to say that I had a lot of experience with the Q contra before buying one for myself.

My impressions out of those trials was that the Qontra was generally pretty good, but a little inconsistent. At NAMM, the German tuning model played nicely while the American tuning model was noticeably worse. It was stuffy and harder to play. At Bob Reeves my experience was the opposite; the American tuning model played significantly better than the German tuning model. As a result I was a bit apprehensive about ordering one, and while I could have just bought the American tuning one straight from Bob Reeves, I ended up getting a very nice deal on a new one from another shop, so I went with that instead.

Fortunately, I'm pleased to report that I think my Q39GR (American tuning, gold brass bell) is a very good example. It's not stuffy or hard to play, and I actually think it's easier to play than some of the very expensive top-flight German contras I've tried over the years. Most importantly, it just...plays like a trombone. A lot of contras (even the very expensive ones) are kind of a chore to play, and they can feel more like a beast of burden than a musical instrument. I don't get that feeling at all with the Q, and in fact it passes the test I place the most importance in when trying a new instrument: I don't want to put it down. The Laskey 105C mouthpiece that comes with it feels like a great match, though of course I'll need to try some other contra pieces to see how they stack up.

The news isn't all good, however. Aidan noted in his video about the Q contra that the third partial is flat, and I also noticed that when trying the two horns at Bob Reeves. It's true of mine as well, though honestly to a less drastic degree than the horns at Bob Reeves. But it's still a little flat, which is a drag but not the worst thing to work around when you have two valves to avoid open first position C with. The other issue that I've found with this one is that the Db valve is a little flat with the slide all the way in. I didn't notice this on any of the other ones I tried before, which is surprising considering I like my second valve to be sharp. Not Bollinger tuning levels, but kind of halfway there. I am likely going to get that slide cut, and maybe the C valve slide as well just to have more wiggle room than needing to keep it all the way in to be in tune. A smaller, but still important issue is that the spit valve paddle isn't really quite long enough, so you have to really stretch to get a finger on it. I wonder how tricky it would be to get a German-style remote water key fitted.

The bad news ends there, though. Another really important aspect about the Q contra is that it comes in an AWESOME Bonna-style screw bell contra case, WITH WHEELS! That was honestly an important factor in my decision to buy one...I don't need to shell out a bunch more money after buying the horn to get a case for it that's bearable to live with. It comes with everything I need right away.

I will undoubtedly post more updates as I get more playing time on the horn and potentially get those slides cut. I'm thinking about ordering a Brad Close contra leadpipe for it as well. Hopefully it won't be an eternity before I get to use it in real life!
Digidog
Posts: 446
Joined: Thu Dec 13, 2018 3:31 pm

Re: New Big Trombone Day: Shires Q39GR contrabass trombone

Post by Digidog »

Congrats to a new horn!

I guess you’ll mostly play movie scores on it, so I hope you will have ample of opportunity to put it to use.
Welcome to visit my web store: https://www.danieleng.com/

Big Engband on Spotify: https://open.spotify.com/artist/30Vuft1 ... me3sZi8q-A
Kbiggs
Posts: 1708
Joined: Sat Mar 24, 2018 11:46 am

Re: New Big Trombone Day: Shires Q39GR contrabass trombone

Post by Kbiggs »

Congrats! Looking forward to hearing it on your next video!
Kenneth Biggs
I have known a great many troubles, but most of them have never happened.
—Mark Twain (attributed)
User avatar
MahlerMusic
Posts: 181
Joined: Tue May 07, 2019 10:18 am

Re: New Big Trombone Day: Shires Q39GR contrabass trombone

Post by MahlerMusic »

Congrats!!! I'm a fan of the American Tuning. Can’t wait to hear more as you keep refining and perfecting it!
User avatar
NotSkilledHere
Posts: 219
Joined: Wed Aug 07, 2024 12:37 pm

Re: New Big Trombone Day: Shires Q39GR contrabass trombone

Post by NotSkilledHere »

congratulations! the question is how hard is it to restrain yourself from just wanting to blast a few pedals for fun every hour? haha
==========
Albert W.
------------
Don't let my horn collection fool you; I'm better at collecting than I am at playing.
Chronos91
Posts: 67
Joined: Sat Jul 09, 2022 10:12 pm

Re: New Big Trombone Day: Shires Q39GR contrabass trombone

Post by Chronos91 »

Congrats! Was it just the deal that landed you on the Q39 versus the Q38? Do you have a preference on tuning, or is it just that either works?
User avatar
Finetales
Posts: 1490
Joined: Fri Mar 23, 2018 12:31 pm

Re: New Big Trombone Day: Shires Q39GR contrabass trombone

Post by Finetales »

Chronos91 wrote: Mon May 25, 2026 9:48 pm Congrats! Was it just the deal that landed you on the Q39 versus the Q38? Do you have a preference on tuning, or is it just that either works?
The deal made the decision a no-brainer, but I do prefer American tuning so it worked out nicely.
User avatar
MahlerMusic
Posts: 181
Joined: Tue May 07, 2019 10:18 am

Re: New Big Trombone Day: Shires Q39GR contrabass trombone

Post by MahlerMusic »

As an amateur who only recently started playing G contra, here’s my take:
American tuning tends to suit players who focus on contra—those who play it frequently and may even take on solo parts.

European tuning, on the other hand, works well for players who need to pick up a contra quickly and get through a part. If bass trombone is your main instrument, this approach tends to feel more natural and doesn’t disrupt your playing as much.

That said, the real answer is probably simpler. Since contras are so rare, you should play what’s available to you. And if you have a choice, go with the instrument that plays best for you.
User avatar
NotSkilledHere
Posts: 219
Joined: Wed Aug 07, 2024 12:37 pm

Re: New Big Trombone Day: Shires Q39GR contrabass trombone

Post by NotSkilledHere »

I heard something interesting actually on american vs euro tuning for contras. I dont remember where I heard it but I remember they said that one tuning format is where the tuning is intended to be similar to a bass bone where you may use both valves at the same time and therefore probably easier to learn for someone who already plays bass while the other format had the valves optimized for using a single valve at a time to achieve the needed notes and rarely with both valves pressed. Not sure which is the american or euro tuning, but that's all i remembered of that. idk the validity of those statements but it was certainly an interesting explanation.
==========
Albert W.
------------
Don't let my horn collection fool you; I'm better at collecting than I am at playing.
Chronos91
Posts: 67
Joined: Sat Jul 09, 2022 10:12 pm

Re: New Big Trombone Day: Shires Q39GR contrabass trombone

Post by Chronos91 »

American tuning is analogous to bass trombone tuning (Bb/F/Gb/D) but instead down a fourth (F/C/Db/AA), so certain patterns are preserved in scales. German tuning is F/D/BBb/AAb and preserves positions from the F and D sides of a bass trombone. German tuning would allow you to use a single valve by itself down lower and I'd imagine maybe up higher as well? The D valve would be analogous to a G valve on a 9' trombone so I'd imagine the stuff that's always discussed in minor third valve threads would be applying whenever the contra wasn't playing in the basement.
User avatar
Burgerbob
Posts: 6218
Joined: Mon Apr 23, 2018 8:10 pm

Re: New Big Trombone Day: Shires Q39GR contrabass trombone

Post by Burgerbob »

Honestly, you have to learn the instrument either way- it just depends on how you want to wrap your brain around it.

The D valve in German tuning does make the horn generally more facile, though.
Aidan Ritchie, LA area player and teacher
User avatar
Finetales
Posts: 1490
Joined: Fri Mar 23, 2018 12:31 pm

Re: New Big Trombone Day: Shires Q39GR contrabass trombone

Post by Finetales »

MahlerMusic wrote: Tue May 26, 2026 7:57 am American tuning tends to suit players who focus on contra—those who play it frequently and may even take on solo parts.

European tuning, on the other hand, works well for players who need to pick up a contra quickly and get through a part. If bass trombone is your main instrument, this approach tends to feel more natural and doesn’t disrupt your playing as much.
I would personally argue the opposite, but in truth it's just down to which one matches the way your brain works. Here in LA both tunings are represented but American tuning is significantly more common, especially in the studios.

For me, I get along with German tuning just fine but I don't have to think at all with American tuning, it immediately makes sense. This could just be because I have a lot of experience playing instruments in various keys where the valves are the same intervals they are in Bb.
User avatar
MahlerMusic
Posts: 181
Joined: Tue May 07, 2019 10:18 am

Re: New Big Trombone Day: Shires Q39GR contrabass trombone

Post by MahlerMusic »

Finetales wrote: Wed May 27, 2026 11:47 am I would personally argue the opposite...
That’s fair — and to be clear, Finetales is operating on a level well above us mere mortals. My earlier comment was definitely coming from the amateur “please make this make sense to my bass-trombone brain” perspective.
I can’t really think in different keys the way some of you pros seem to. I suspect trombone players in general are a bit behind the curve on that compared to some other brass players, but that’s probably a whole separate thread.
For me, European tuning only makes sense to me as an option because it mimics the notes of a modern bass trombone somewhat — Bb/F/D on bass versus F/D/BBb on contra, very loosely speaking and simplified, of course. American tuning mimics the valve logic as stated by you and others.

I have never seen a European tuned Bb Bass trombone (forgive me if I get this wrong and please correct me) Bb/G/Eb/Db. I’m still figuring this all out as I go. I'm glad my G Contra is setup to mimics the valve logic of a Bass.

Anyway, I'm loving all the Contra talk lately.
User avatar
Finetales
Posts: 1490
Joined: Fri Mar 23, 2018 12:31 pm

Re: New Big Trombone Day: Shires Q39GR contrabass trombone

Post by Finetales »

MahlerMusic wrote: Thu May 28, 2026 9:43 am I have never seen a European tuned Bb Bass trombone (forgive me if I get this wrong and please correct me) Bb/G/Eb/Db. I’m still figuring this all out as I go. I'm glad my G Contra is setup to mimics the valve logic of a Bass.
They do exist! I think Jürgen Voigt offers (or offered) that as an option. But I don't know of anyone who actually plays on one. For an alternative bass tuning, I prefer Bb/G/E/D.
Post Reply

Return to “Instruments”