davdud101 wrote: Wed Nov 26, 2025 6:47 am
How do you personally think the Schiller compares to other horns (and what would you compare it to)? How much did you spend to pull the lead pipe?
I don't have enough experience with different bass trombones to make much of a comparison -- Aiden can probably give you some more insight -- but here's my take on what I've had ...
1. (Decades ago ...) Holton TR181. Great sound. You can blow a wall down with it. TERRIBLE ergonomics. Heavy (10.5" bell doesn't help there. Painful experience -- but that was decades ago before things like decent hand supports. Traded it in on a blingy Yamaha silver/gold flute for my daughter.
2. The Schiller. Worked really well for me in concert band and big band until I finally got to be better than the horn. But I won't hesitate to use it again if for some reason the Getzen has to visit the shop.
3. My current Getzen 1052FD. Noticeably better than the Schiller (duh!). Primary difference in "feel" and ease of play is in the double valve stuff. 2nd valve mechanism is better than the Schiller (but that can be easily addressed at relatively little expense). In terms of the slide, well ... I guess this is somewhat sacrilegious, but ... the slide on the Schiller seems in no way worse to me than the slide on the Getzen -- they're both great. If you look closely at the materials (tubing) on the hand slide and the tuning slides, you'll see the usual "less than perfect" appearance of the low end Chinese instruments (a little wave in the reflection, etc.). But no practical difference in use.
In terms of the lead pipe, I went to my usual local guy (who's been in the business for decades). Here's the full story on this ... When I first got the horn from Laabs there was a problem with the receiver -- it was slightly out of round. I called Laabs about it immediately and Troy offered to send me out a slide replacement ("Don't bother returning the one you have") at no expense. I declined at that point because I knew I wanted to pull the lead pipe anyway and told him I'd give that a try. If it worked, I'd keep the slide (which was otherwise great). He said that was fine, but let him know if I wanted a new one.
Went to the shop, my tech eyed it suspiciously, said he didn't have exactly the right mandrel for the operation but was willing to try. (Nothing would be lost if the slide was destroyed since I knew I could get another as a replacement.) So it became a joint operation and a bit of an epic struggle. But the slide was new, and so no corrosion in it to make things difficult. With some effort and care, the lead pipe came out. He cleaned out the solder, and I was good to go. As I recall he charged me $20.
I got a press fit red brass (drawn) MV50 pipe from Brass Ark/Brad Close, and it worked well. Later I tried the George Roberts from M/K Bending (not so good), and then a nickel MK50 from them. For the jazz band, the nickel MK 50 worked best in terms of sound and response in the double valve range. For the Schiller I ended up shortening the pipes by about 3/8" to get a more open blow. On my Getzen, after experimentation with the Getzen #2 pipe that came with it and my collection of Brad Close and M/K pipes, I have settled on the brass Getzen #3 as "the one" -- it just seems magical for me. Different strokes for different horns. Lead pipe selection is a black art.