Simplicity

How and what to teach and learn.
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MStarke
Posts: 1024
Joined: Tue Jan 01, 2019 4:33 pm

Simplicity

Post by MStarke »

Inspired by a lesson I had a few days ago which was really interesting and experimental.

Since I re-started with the trombone about 10 years ago, after a few years break, I have realized how important simplicity and simple guardrails are for my playing.

Teachers come up with a broad range of ideas, sometimes even contradicting, but often they can be boiled down to some relatively simple aspects. And for me it is essential to simplify in order to a) integrate it in my practicing without being overwhelmed by complecity and b) be able to make use of it in performance situations.
Typically when I play, I have one or max two things that I really consciously pay attention to.

So that lesson was absolutely worth it. I have two (maybe three) things that I will probably "carry with me" and integrate in my practice and performance. Honestly it also takes some maturity to make the conscious choice to prioritize and thereby on the other hand also abandon playing advice.

How do you handle this for yourselves?
And to the teachers: How do you manage this with your students? What do you expect from them?
Markus Starke

Alto, tenor, bass and contra (plus euphonium and bass trumpet)

Occasional freelance trombonist
Former Founder/Owner MST STUDIO Mouthpieces
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VJOFan
Posts: 506
Joined: Fri Apr 06, 2018 11:39 am

Re: Simplicity

Post by VJOFan »

Pedagogy like "Wind and Song" and Carmine Caruso's timing method are simplicity in their simplest forms. They get criticism, but have also worked for a ton of players as at least part of their mindset for good playing.
"And that's one man's opinion," Doug Collins, CFJC-TV News 1973-2013
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