funk trombone method

How and what to teach and learn.
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totob
Posts: 6
Joined: Tue Apr 09, 2019 3:42 am

funk trombone method

Post by totob »

Hi!
i am approaching funk music and i am looking for some method to work on
Do you have any recommendation?

thanks
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WilliamLang
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Joined: Fri Nov 22, 2019 6:12 pm

Re: funk trombone method

Post by WilliamLang »

listen like crazy, especially to Fred Wesley. also check out NYC based trombonist Nadav Nirenburg and his instagram page - he did a long series of posts highlighting different funk/jazz'shout trombone players with transcriptions posted alongside videos.

https://www.instagram.com/nadav_trombone/
William Lang
Interim Instructor, the University of Oklahoma
Stephens Horns Artist
Long Island Brass Artist
faculty, the Longy School of Music
founding member of loadbang
www.williamlang.org
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MagnumH
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Location: Rochester, NY

Re: funk trombone method

Post by MagnumH »

Hello! Welcome to my wheelhouse. It's stanky in here.

Some general pointers.

Overdo the articulation. Hit things hard, use tongue stops. The main goal, especially in a section is to be as tight as a squeaky door.
Dynamics below mf don't exist. Don't be subtle.
Don't be afraid to have a harsher, brighter sound than you might want for jazz. You want immediacy in your tone.
Get super comfortable with alternate positions for speed and accuracy. And with the range from Bb to Bb above the staff, you'll want to hang out there quite a lot.
Blues scales and pentatonic scales will get you 99% of the way there.

And listening is everything.
For section work, check out bands like Tower of Power, Lettuce, Chicago, Earth Wind & Fire...there are so many more. And, of course, James Brown and the JBs. Listen, learn, play along, get it as tight as you can.

For solo playing stuff: Fred Wesley is the king. But also check out Dennis Rollins, Big Sam's Funky Nation, Nils Lundgren's Funk Unit (very cheesy funk but the bone playing is on point).
Matt Hawke
Trombonist/Arranger/Bandleader
White Hot Brass Band // The Sideways // The Brass Machine
Stable: BAC Paseo W6 w/ DE MTN102 B+3; King 3B/F w/ Bach 4C; King 2B w/ King 12C
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WilliamLang
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Re: funk trombone method

Post by WilliamLang »

great comments ^^^
William Lang
Interim Instructor, the University of Oklahoma
Stephens Horns Artist
Long Island Brass Artist
faculty, the Longy School of Music
founding member of loadbang
www.williamlang.org
Fidbone
Posts: 266
Joined: Tue Apr 24, 2018 1:14 am
Location: UK

Re: funk trombone method

Post by Fidbone »

Dennis Rollins is working on some online video Funk lessons right now....... Keep an eye on his website for any developments ;-)
totob
Posts: 6
Joined: Tue Apr 09, 2019 3:42 am

Re: funk trombone method

Post by totob »

thanks everybody for the suggestions!
i will listen to the trombonist you talked about :)

and regarding methods, do you have recommendations? or you think it is "not necessary"?
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BGuttman
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Location: Cow Hampshire

Re: funk trombone method

Post by BGuttman »

Learn your fundamentals. Learn your theory. Listen to examples of the style.

if Blazhevich was good enough for Jimmy Pankow, it's good enough for you.
Bruce Guttman
Merrimack Valley Philharmonic Orchestra
"Almost Professional"
Bach5G
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Re: funk trombone method

Post by Bach5G »

Blazhevich: king o’ de fonk. Get down.
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MagnumH
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Joined: Fri Mar 06, 2020 3:38 pm
Location: Rochester, NY

Re: funk trombone method

Post by MagnumH »

BGuttman wrote: Sun Jul 05, 2020 2:45 pm Learn your fundamentals. Learn your theory. Listen to examples of the style.

if Blazhevich was good enough for Jimmy Pankow, it's good enough for you.
Agreed - your core fundamentals (long tones, lip slurs, flexibility, Blazhevic, Brad Edwards, Marstellar, Arban) are super important in every style. Funk has a particular sound and way of playing, but it should still be technically correct. For specific funk method, there’s nothing that I know of. Listening and playing along (and playing with real bands, when possible) is the only way to develop that.

Also, the groove is king. Absolutely king. Always be aware of the rhythm section and their work, with bass emphasis on beat 1 (listen to Bootsy Collins. Also note that Fred Wesley basically never plays on the 1 when soloing) and snare backbeat on 2 & 4. Everything you do has to fit that with that groove. Spectacular trombone acrobatics is secondary to soulful, groovy playing.
Matt Hawke
Trombonist/Arranger/Bandleader
White Hot Brass Band // The Sideways // The Brass Machine
Stable: BAC Paseo W6 w/ DE MTN102 B+3; King 3B/F w/ Bach 4C; King 2B w/ King 12C
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